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Faithfully Rendered Rugs Based on Max Bill’s Original Graphics
These rugs were meticulously crafted under the supervision of Jakob Bill—son of Max Bill, administrator of the Max Bill Foundation, and an accomplished artist himself.
Each rug is based on one of Max Bill’s original graphic works.
The yarns were dyed and color-checked one by one to ensure a faithful reproduction of the original hues, staying as true as possible to the original artworks. -
Material Features and Functions
These are available in two material types: acrylic and wool.
[Acrylic Type]
・Soft, fluffy texture similar to wool
・Warm and lightweight due to air-filled fibers
・Low moisture absorption: resists mold, insects, and water-based stains
・Durable and resistant to friction
・Excellent color vibrancy[Wool Type]
・Elastic loop-pile construction with excellent shape recovery・Naturally durable and moisture-regulating
・Warm in winter, cool in summer
・Water-repellent and resistant to stains
・High resilience: furniture dents can be restored with steam
・Deep dye absorption for long-lasting color and luster -
Comfortable and Reliable Rugs, Made in Japan
These rugs offer not only a stylish addition to your interior but also comfort and a cozy atmosphere.
They are made with domestically spun yarn and carefully handcrafted by skilled artisans in Japan.
Each rug features a woven tag embroidered with Max Bill’s signature, making it a high-quality original item by METROCS.
METROCS
METROCS is an interior products brand selling masterpiece design items with a long history originating in Japan and Europe. By handling items that do not become outdated due to the flow of time but rather increase their presence with each passing year, METROCS supports evolution of the lifestyles of a broad spectrum of users, transcending both generations and gender. Selecting future masterpieces from among a range of outstanding products and creating a future for them is both our mission and our pleasure.
Max Bill [1908-1994]
Born in Winterthur, Switzerland. For three years beginning in 1924, Bill studied silversmith in Zurich, after which he studied under Wassily Kandinsky and Paul Klee at Bauhaus. Bill wore many hats, including that of painter, sculptor, graphic artist, architect, and industrial designer. Later, determined to pass on the spirit of Bauhaus, he devoted himself to the founding the Ulm School of Design, where he would serve as the school’s first chancellor. Consistently pursuing the creative process founded in “regularity” and “logic,” today his theories have a profound influence on the worlds of design and art.