Lucienne Day / Fabric Collection Cushion Covers / Spectators
Lucienne Day / Fabric Collection Cushion Covers / Spectators
〈Available from November 20, 2025〉
Iconic British textile designs from the 1950s.
This cushion covers feature patterns designed by Lucienne Day in the 1950s. The fabric was reproduced in collaboration with Classic Textiles*, specialized brand in textile recreation using state of the art digital printing technology founded in 2003. Lucienne herself selected and supervised the reprints from her own archives. Her distinctive patterns, inspired by nature and geometry, capture the sophisticated modern style.
Designed in 1953, Spectators is a humorous pattern inspired by “spectators” wearing glasses. Characterized by rhythmic, delicate line drawings and abstract motifs, the design conveys expressions and gestures even through the simplified silhouettes of the figures, embodying a playful and spirited approach to pattern design. It won the Gran Premio at the Milan Triennale in 1954 and is known as one of Lucienne’s personal favorites.
*Classic Textiles
Classic Textiles was established by the Centre for Advanced Textiles at the Glasgow School of Art. The brand is dedicated to recreating outstanding 20th-century textile designs using state of the art digital printing technology.
Brand | METROCS
Designer | Lucienne Day
Year of Design | 1953
Country of Origin | Japan
Dimensions
Dimensions
W 430 x D 430 mm
Materials
Materials
Cover : Fabric (Linen 53%・Cotton 47%)
Insert : Polyester
Lead time
Lead time
2–3 days
* Shipping costs will be shown at checkout.
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METROCS
METROCS is a furniture brand established in Japan in 2002, passing masterpiece design items to future generations. Collaborated with designers and their foundations, we revive and commercialize historical design products. Our mission is to discover buried “truly high-quality product”, and pass its ingenuity, sincerity and stories hidden in the materials, parts and construction method, down in perpetuity.
Lucienne Day [1917-2010]
Born in Coulsdon, England. Studied in the textile department of the Royal College of Art and began working as a freelance designer shortly after the war. Her fabric “Calyx” for Heal’s, created for the Festival of Britain in 1951, received high acclaim. She produced numerous original patterns inspired by plants and geometry, and her work spanned a wide range of fields including carpets, wallpapers, and ceramics. In 2004, she was awarded the Order of the British Empire (OBE). Together with her husband, furniture designer Robin Day, she is recognized as one of the leading figures in postwar British modern design.